{"id":2376,"date":"2024-08-19T13:45:00","date_gmt":"2024-08-19T13:45:00","guid":{"rendered":"https:\/\/taiskoshino.com\/?page_id=2376"},"modified":"2024-09-16T13:08:23","modified_gmt":"2024-09-16T13:08:23","slug":"corrente-submersa","status":"publish","type":"page","link":"https:\/\/taiskoshino.com\/en\/corrente-submersa\/","title":{"rendered":"instru\u00e7\u00f5es para entender o sentimento daquela corrente submersa"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”3.22″][et_pb_row column_structure=”1_5,1_5,1_5,1_5,1_5″ _builder_version=”4.4.2″ module_alignment=”center”][et_pb_column type=”1_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.4.2″]<\/p>\n

<< voltar<\/b><\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.4.2″ hover_enabled=”0″]<\/p>\n

sobre\/about<\/a><\/strong><\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.4.2″ module_alignment=”center”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.4.2″]<\/p>\n

instru\u00e7\u00f5es para entender o sentimento daquela corrente submersa<\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ module_alignment=”center”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/taiskoshino.com\/wp-content\/uploads\/2024\/08\/IMG_3230.jpg” _builder_version=”4.4.2″][\/et_pb_image][et_pb_text _builder_version=”4.4.2″ hover_enabled=”0″]<\/p>\n

s\u00e9rie de v\u00eddeos, cor\/som,\u00a0 20”, 2023. <\/b><\/p>\n

montagem do trabalho na exposi\u00e7\u00e3o hotties tech, rio de janeiro, 2023<\/p>\n

\u00a0<\/div>\n
\u00a0<\/div>\n
(…) There was this undertow<\/div>\n
I sensed but did not understand (…)*<\/div>\n
Yoko Ono por Michiyo Fukaya no livro A fire is burning\/ it is in me<\/div>\n
\u00a0<\/div>\n
Crescendo enquanto uma pessoa birracial em um ambiente majoritariamente branco, muitas vezes sentia que havia algo que me diferenciava, me machucava, mas n\u00e3o entendia muito bem o que era, n\u00e3o sabia nomear. Agora, depois de entender as racialidades amarelas e seu contexto complexo no Brasil, consigo perceber, nomear e ter ferramentas para lidar com as viol\u00eancias da branquitude.<\/div>\n
\u00a0<\/div>\n
Essa s\u00e9rie criada foi em conjunto com a m\u00e1quina a partir de instru\u00e7\u00f5es escritas por Yoko Ono retiradas do livro acorn. O t\u00edtulo veio a partir dos versos desse poema\/carta da Michiyo Fukaya e cada v\u00eddeo \u00e9 em homenagem a uma artista japonesa.<\/div>\n
\u00a0<\/div>\n
1 – sky piece viii para Mariko Mori<\/div>\n
2 – city piece viii para Chieko Takamura<\/div>\n
3 – cleaning piece ii para Miroco Machiko<\/div>\n
4 – sound piece ii para Tamako Takaoka<\/div>\n
5 – dance piece iv para Chiharu Shiota<\/div>\n
6 – wish piece v para Yuki Ogura<\/div>\n
\u00a0<\/div>\n
Essa obra participou da exposi\u00e7\u00e3o Hotties Tech<\/a>, com curadoria de Priscila Nassar<\/a> e Raiana Moraes<\/a>, na Ble Galeria no Rio de Janeiro.<\/div>\n
\u00a0<\/div>\n
\n

* havia essa correnteza<\/p>\n

eu sentia mas n\u00e3o entendia<\/div>\n
\u00a0<\/div>\n<\/div>\n
\n

Video series, color\/sound, 20”, 2023.<\/strong><\/p>\n

exhibition at the Hotties Tech exhibition, Rio de Janeiro, 2023<\/p>\n

“(…) There was this undertow
I sensed but did not understand\u00a0(…)”
Yoko Ono by Michiyo Fukaya in the book A Fire is Burning \/ It is in Me<\/em><\/p>\n

Growing up as a biracial person in a predominantly white environment, I often felt there was something that set me apart, that hurt me, but I didn\u2019t quite understand what it was, I didn\u2019t know how to name it. Now, after understanding East Asian racial identities and their complex context in Brazil, I can recognize, name, and have tools to deal with the violence of whiteness.<\/p>\n

This series was created in collaboration with the machine, based on written instructions by Yoko Ono taken from the book Acorn<\/em>. The title comes from the verses of Michiyo Fukaya’s poem\/letter, and each video is a tribute to a Japanese artist.<\/p>\n

1 – Sky Piece VIII<\/em> for Mariko Mori
2 – City Piece VIII<\/em> for Chieko Takamura
3 – Cleaning Piece II<\/em> for Miroco Machiko
4 – Sound Piece II<\/em> for Tamako Takaoka
5 – Dance Piece IV<\/em> for Chiharu Shiota
6 – Wish Piece V<\/em> for Yuki Ogura<\/p>\n

This work was part of the Hotties Tech<\/a> exhibition, curated by Priscila Nassar<\/a> and Raiana Moraes<\/a>, at Ble Gallery in Rio de Janeiro, Brazil.<\/p>\n